7 best Gen X movies, ranked
Born roughly between the mid-1960s and early 1980s, Gen X is often characterized as the generation that embraced disillusionment and skepticism. As they came of age, this generational ethos found a vivid expression in cinema, with Gen X films speaking directly to the cultural mood of the time and all the contradictions those viewers experienced bybeing stuck between the optimistic Baby Boomers and pragmatic Millennials.
Gen X movies are often explorations of alienation and rebellion, with many depicting protagonists searching for their identities in a confusing world. They capture the era's anxieties – from the angst of unemployment to the fear of selling out – while also showcasing Gen X's deep-seated suspicion of authority and quest for genuine connections amid superficiality. These Gen X movies are critically acclaimed and influential works that reflect a time when the lines between mainstream and alternative culture were blurred, and when indie films became a powerful voice for this generation's stories.
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On a sweltering summer day in Brooklyn's Bedford-Stuyvesant neighborhood, existing strains within the community reach a boiling point in the local pizza joint. Do the Right Thing followsMookie (Spike Lee), a young Black man delivering pizzas for Sal's Famous Pizzeria, which is owned by Sal (Danny Aiello), an Italian-American who has long served the predominantly Black community. When Buggin' Out (Giancarlo Esposito) demands that Sal add Black celebrities to his "Wall of Fame," a fight starts that soon spreads to the whole community
Directed by Lee, Do the Right Thing is a crucial comedy-drama in an era defined by social and racial upheaval. Hinging on Gen X's disillusionment with traditional institutions and their deep desire for social justice, the 1989 film captures the tension and urgency of acknowledging and addressing systemic racism. Lee uses a simple premise to confront an uncomfortable truth, crafting a seminal 1980s movie that remains relevant today in the process.
A rom-com and drama, Reality Bites is centered on a group of recent college graduates as they carve their paths in a post-graduation life they did not expect. It primarily follows Lelaina Pierce (Winona Ryder), an aspiring documentary filmmaker who documents the lives of her friends, including the charming, but aimless slacker Troy Dyer (Ethan Hawke) and the yuppie executive Michael Grates (Ben Stiller).
The film is propelled by Lelaina's struggle to reconcile her attraction to Troy and her relationship with Michael, with the two characters representing authenticity and materialism. The group's experiences with dead-end jobs, complicated relationships, and their own insecurities also echo Gen X's feelings about traditional paths to success. Along with a soundtrack featuring hits from the grunge and alternative rock scene that defined much of the '90s youth culture, Reality Bites is a mirror that reflects a generation's longing for something real in a world increasingly dominated by corporations, one which was vastly different from the one they were promised.
The Breakfast Club is an iconic coming-of-age movie with a seemingly straightforward premise: five students are forced to spend a day in detention. This unfolds over a single Saturday in a suburban Chicago high school, with these five characters being from different social cliques. The students – brainy Brian (Anthony Michael Hall), athlete Andrew (Emilio Estevez), princess Claire (Molly Ringwald), rebel John (Judd Nelson), and outcast Allison (Ally Sheedy) – start out as strangers acting out their own stereotypes, but soon find unexpected ways to connect.
Directed by John Hughes, The Breakfast Club marked a critical shift toward a more introspective exploration of individuality in cinema and signaled a departure from the idealized one-note portrayals of adolescence in earlier films. Though its characters start out as their stereotypes, the facade is peeled away to reveal complex layers full of vulnerabilities and frustration that remind audiences of their own emotional journeys of self-discovery. Gen Xers who saw themselves in these stories could find comfort in knowing that their fears and flaws are universal and that they are never truly alone.
Filmed in gritty black-and-white and made on a shoestring budget, Clerks is a beloved cult classic and the first of director Kevin Smith's View Askewniverse films. It revolves around Dante Hicks (Brian O'Halloran) and his best friend, Randal Graves (Jeff Anderson), two twentysomething slackers working dead-end jobs at a convenience store and video rental shop in New Jersey. The movie chronicles their mostly uneventful day until Dante learns one of his ex-girlfriends has died, which makes him think about his current love life.
Clerks is unapologetic in its honest portrayal of the aimlessness and disillusionment that defined Gen X, members of which found themselves caught between the expectations of previous generations and their own desires for something more meaningful. The 1994 film's slice-of-life approach – peppered with discussions about everything from Star Wars to who's having sex with who – is delivered with the kind of irreverent humor that underscored the cynicism of that generation. Smith's debut feature was also a pivotal moment in indie filmmaking, as Clerks proved that low-budget, dialogue-driven movies could find an enthusiastic audience.
Heathers is a subversive fan-favorite movie from the tail end of the 1980s that follows teenager Veronica Sawyer ( Winona Ryder ), who becomes part of the popular, but toxic clique known as the Heathers. Tired of the Heathers' cruelty, Veronica gets involved with the nihilistic J.D. (Christian Slater), and the duo starts "removing" the popular kids by making their murders look like suicides. Veronica soon realizes she's unsure about continuing their deadly rampage across the high school and has to make a tough decision.
Directed by Michael Lehmann, Heathers is a darkly satirical take on the high school experience. The superficiality of popularity and the pressures to conform at that stage are critiqued through an absurd, yet wildly entertaining story in the 1989 movie. Its dark humor and cynical tone perfectly represent Gen X's need to question and dismantle the many facades that make up society. Heathers was bold enough to say what many Gen Xers were thinking at that time – that the high school experience, much like life itself, can be needlessly brutal and wholly ridiculous.
Director Richard Linklater's Dazed and Confused is a nostalgic depiction of the teenage experience. It's set on the final day of school in 1976 as a group of high school students in Texas commemorate the milestone it in different ways. The 1993 film's plot, much like its characters, is loose and meandering. Its arcs include some of the students cruising around town, going through hazing, or just partying as they enjoy their budding adulthood.
Dazed and Confused is remembered for its talented ensemble cast, which includes future A-listers like Matthew McConaughey, who played the laid-back David Wooderson, and Ben Affleck who was the bully Fred O'Bannion. While set in the '70s, the high school movie is an ode to Generation X's celebration of uncertainty and love for rebellion and personal freedom above all else. This specific atmosphere is further defined by recognizable tracks from Aerosmith, Foghat, and KISS, ensuring that it encapsulates the unique energy of the time.
Fight Club is a film that needs no introduction. Directed by David Fincher and hailed as the defining movie of an entire generation, it follows an unnamed Narrator (Edward Norton) suffering from insomnia and an overwhelming sense of purposelessness. His life takes a dramatic turn when he meets Tyler Durden ( Brad Pitt ) on a flight, with the stranger introducing himself as a soap salesman. They bond beyond the flight and create the titular club, an underground group where men vent their frustrations through bare-knuckle brawls. As the club evolves, however, the Narrator becomes increasingly disturbed by Tyler's escalating plans, leading to a legendary revelation.
Based on Chuck Palahniuk's novel, Fight Club is a provocative and angsty look at masculinity and identity in the 20th century, with the secret violent meetings being the characters' way of reclaiming power and rebelling against the materialistic culture that suffocates them. The film greatly benefits from Fincher's dark, stylish direction and gritty aesthetic, which perfectly match its showcase of modern discontent. With its nuanced exploration of alienation, search for meaning, and rejection of societal norms, Fight Club is Gen X in a nutshell.
