Indiatimes

Taapsee Pannu is a Y2K diva in custom corset gown and stole from Torani

E.Chen35 min ago

Bollywood actress Taapsee Pannu can always be counted on to steal the show with her dynamic personality and megawatt smile. However, as of late, it is her impeccable fashion choices that are breaking the internet! Whether you take into account the quirky sarees she wore to support her husband Mathias Boe during the Paris Olympics or it is her cute sundresses that your heart is set upon, the actress has a unique personal style that netizens are fans of!

Taapsee has once again become the talk of the town with her latest appearance. Last night the diva stepped out for an event and we are in awe of her glamorous appearance! Let's take a closer look at her stunning ensemble.

Taapsee Pannu makes heads turn in a corset gown

The Dunki actress marked her presence at an award show in a bespoke black outfit. The figure-hugging number included a heavily adorned corset with intricate gold embellishments, which was paired with a draped skirt. The corset added structure to her look while the draped skirt featuring ruching details on the waist and a thigh-high slit added a whimsical touch.

The gown was a custom-designed piece from Torani and was paired with a matching silky stole. The stole and the sultry gown combo was a nod to Y2K fashion and gave off old Hollywood vibes.

Taapsee Pannu revives the Y2K trend of gown and stole combo

Taapse was styled by celebrity fashion stylist Devki Bhatt, whose portfolio includes Bollywood's leading ladies like Disha Patani, Shraddha Kapoor and Tabu among others. The diva paired her outfit with sky-high strappy heels and was also seen carrying a matching, heavily embellished, heart-shaped bag.

To complete her look the diva went all out with a full glam makeup look featuring a dewy base, dramatic eyeliner, rouge-tinted cheeks and a bold red lip shade. Lastly, the diva tied up her curls in a sleek, pulled-back ban with a side-parting and a few flicks of hair framing her face beautifully.

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