Victrola Stream Sapphire turntable review: a premium dual-digital streaming turntable that falls short of its price
The Victrola Stream Sapphire is another first from Victrola, bringing Sonos compatibility and lossless Wi-Fi vinyl streaming together in one hefty unit. Very few of the best turntables on the market boast anything like the feature-set this deck aims to deliver. An Ortofon 2M Blue cartridge, supported gamely by a nice carbon-fibre tonearm, produces exactly the fidelity you'd hope, and with minimal tracking errors out of the box. Its wireless fidelity is impressive, too, though an Ethernet connection or a supercharged Wi-Fi plan will be necessary to unimpededly avail of it.
The Victrola Stream Sapphire's convenience, particularly in tech-forward households, is plain to see. What isn't, however, is quite how this convenience commands a four-figure price point. For one, the Sapphire shares a great deal in common with its less expensive range-mates , and even lacks some of their better features. Meanwhile, a noisily starting platter, flabby tonearm lift and sharp front plate indicate quality control issues.
The Victrola Stream Sapphire is, quite frankly, a bit of a disappointment. It has the bones of a good record player, and some compelling tech-y foresight with its multifarious connectivity, but it doesn't do altogether much to convince you of its retail price, even with its most compelling elements in mind. If you've the cash, and a hankering for unparalleled convenience in wirelessly casting vinyl around your tech-futurist home, this was made for you – and you alone.
The Victrola Stream Sapphire is the latest in Victrola's 'Stream' range of turntables and, unsurprisingly, bears a great deal in common with the Stream Carbon – the brand's (and, indeed, world's) first Sonos-compatible record player.
The Stream Sapphire, however, is a first of all its own – combining as it does Sonos compatibility with Wi-Fi-borne UPnP audio streaming, to create a truly connectible wireless record player. This peerless connectivity comes at a price, though, with the Sapphire commanding a not-insignificant $1,299.99 / £1,499.99 / approx. AU$2,890.
Victrola Stream Sapphire review: SpecsVictrola Stream Sapphire review: FeaturesThe Victrola Stream Sapphire is a plussed-up version of the brand's Stream Carbon. It retains its chassis' form and its carbon-fibre tonearm construction, but also features some key upgrades – including a quieter motor, a heavier plinth (with a real walnut veneer) and an Ortofon 2M Blue cartridge. The biggest difference, though, is in its wirelessness.
The Stream Sapphire shares the rare wireless Sonos connectivity of Victrola's Stream series, but also boasts UPnP compliance – this means that your turntable can stream lossless audio to any Wi-Fi-enabled speaker or audio device in your home tech ecosystem.
This is a phenomenal prospect for the tech-futurist homesteader, where seamless, wireless and simultaneous playback in every room is made not just possible but easy – to say nothing of the ease with which you can target specific zones for listening in. And all this, of course, in glorious 24-bit/48kHz. This wireless connectivity is obviously killer, but it's not going to be ubiquitously useful as a feature; this premium turntable targets a narrow slice of a wide commercial market, and stakes a great deal of its retail price on its appeal to that slice.
As such, the turntable forgoes some basic features that the average user might look for, such as a bypass switch for the phono preamp, or even an on-off switch for the auto-stop function (both of which, incidentally, you will find on the much cheaper, Bluetooth-enabled Victrola Stream Onyx) . Even though the Stream Sapphire has some wow-worthy connectivity options, it falls short in some basic ways – ways in which considerably cheaper players are excelling.
Victrola's less expensive Stream turntables, which share some similarities, have previously caught flak for occasional instability in-play. Thankfully, the Stream Sapphire's motor is indeed improved, providing a good deal more torque and doing away with much of the imprecision that plagued its range-mates. There was initially a bit of a disconcerting squeak when starting and stopping records, though this did seem to abate with time.
Via RCA, the Stream Sapphire sounds excellent. The Ortofon 2M Blue does a great deal of the heavy lifting, with an incredible full range of frequency responsiveness that, at some points, seems to test the readiness of the Sapphire's built-in preamp. Indeed, it's a rare turntable that lays bare the shortcomings of my own austere living room hi-fi.
The preamp is good, though, and handles the wide dynamic range of Pile's All Fiction incredibly well. Nothing's squashed or sausaged, and every leap or fall is felt in near-exactly the way you'd like to feel it in the room, with the band. This dynamic acuity serves everything incredibly well, from sharp and explosive drums in Loops and Poisons to a compelling sparseness in quieter moments (Blood, Lowered Rainbow).
Plaid's Peel Session 2, meanwhile, is a textural delight across the board, from plinky synth-pings to smooth, fulsome sine-wave basslines. It's refreshing to listen to records and not be immediately hit by some shortfall in EQ. To clumsily borrow a phrase from the Super Smash Bros. lexicon: everyone is here!
Stealing Sheep's Big Wows gamely combines the glisten and glitter of the 1980s shimmer-synth arpeggiation with the raw and robust attack of live instrumentation, all of which play ball even through my admittedly undersized bookshelf speakers. Instrument placement in the stereo field is fantastic, as are the vocals, which are otherwise handled unsurprisingly well. Pile's Rick Maguire sears in over his maximalist arrangements and Stealing Sheep's three-piece harmonies couch themselves ideally within their synthy beds.
It's not all praise. I need to pull the Stream Sapphire up on some slight overcorrection in places. Plaid's wubbie low-end can sometimes overwhelm, and sometimes airier treble moments can build up to excess. The 2M Blue cartridge is also quite sensitive to surface dust, so you can expect poorly cleaned records to be a bit poppier (in the literal sense) than usual. But these are trifles against the greater successes of the unit, which is generally a stable and hugely responsive thing.
Wirelessly, the Stream Sapphire sounds as good as its specs promise – when it works. The Sonos connection is prone to 'skipping', i.e. losing connectivity, even when latency and performance settings are set with performance over fidelity in mind. Incidentally, selecting 'Prioritize Connection' in the Victrola Streaming App's Streaming Mode menu results in some of the most ' YouTube 2007' sound transmission you've ever heard (worse, arguably, than the skipping).
Reliability aside, there's a lot to like when the Sonos streaming works at its best – Queens of the Stone Age's Songs for the Deaf is big, rich and fully present, making the most of the Sonos One's unduly massive bass responsiveness. This turntable will undoubtedly represent a great deal of worth for those with an extensive intra-home Sonos setup, but perhaps only with a great internet connection as well.
It's hard to talk about the Stream Sapphire's design without harping on for some time about less tangible aspects of its design – namely, the various digital fenagling associated with getting it to do the Streaming bit of being a Stream turntable.
Using the Victrola Stream app appears simple enough; the app has a handy step-by-step instructional on physically putting your turntable together, which will be a cause of relief for a fair few less confident setter-uppers. But here's where the wheels come off a bit. If this writer has to engage with a button labeled 'Wi-Fi Setup' again in their natural life, there will be a reckoning.
Even after successful Wi-Fi Setup (cue Sideshow Bob-esque 'uunnnrhrnrnrhrnrhr...'), you can look forward to around half an hour of vainly swapping between apps to have one technology see the other – an effort not helped by the sometimes-confusing deployment of the illuminated knob on the Sapphire, which does nothing unless actively connecting or attempting to connect. This lack of feedback is a patience killer.
This fenagling is eventually (and thankfully) rewarded, and from here you can start to appreciate the Victrola app's nicer touches – such as its in-app 'Simultaneous Mode' for playing wired and wirelessly. Thanks to this, your wireless speakers can work in concert with your wired hi-fi, without any real (further) headache. There's even a slider for 'knob illumination', from which you may derive as much mirth as you'd like.
While the Stream Sapphire has its fair share of 'new bits', UPnP connectivity and improved motor inclusive, it still has more in common with its predecessors than it has to distinguish it. This turntable had an opportunity to repeat and improve upon the Stream range's design and, while it's succeeded in some places, it has fallen unfortunately flat in others.
The Stream Sapphire has especially earned this writer's ire for using the same practically useless dust cover design as its Stream and Hi-Res siblings: a single folded (and slightly reinforced) sheet of plastic that sits on the platter and over the tonearm, and which can only be used between records. When you're spending this much on a turntable, you're invariably coming across the kind of audiophiles that have Big OpinionsTM about playing records under closed dust covers – but one senses that this isn't what governed Victrola's thinking here.
The turntable also features the same tonearm assembly as its siblings. This tonearm assembly is fine, great even, but not for a four-figure turntable where you'd expect to be able to adjust VTA (Vertical Tracking Angle). VTA isn't the be-all-end-all that some would claim, but it should be something you're empowered to adjust yourself.
In short, the Stream Sapphire has some nifty tricks, and a nifty walnut veneer to encase them in, but while much of its charm might have worked with its cheaper models, this model falls disappointingly short.
The Stream Sapphire sounds inarguably good, thanks to both the quality of the cartridge and the unusual quality of wireless connectivity on offer. It's a rare thing on this digital front, too, combining Sonos and UPnP capability in a convenient manner never before seen in a turntable. But do these grand designs translate to cold, hard value? In this writer's opinion: no.
More specifically, these features don't feel nearly enough to justify the Stream Sapphire's price – not when other, essential expectations from this price bracket aren't being met. Though its sound reproduction is excellent, conventional wired turntables less than half the price are as good if not better – as such, the price tag is only justifiable by its digital, wireless performance, which is inconsistent in its own way.
Furthermore, you'd expect a higher level of quality control for the price you pay, rather than encountering issues with the turntable's most essential mechanical aspects. For my review unit, the tonearm lift system felt broken, its lever loosely flabbing about either extremity of its reach and only catching the lift in a seemingly incidental manner. The aluminium front panel was also burred enough in some places to catch my fingers.
Further still, you'd expect a great deal more in difference between this unit and its half-priced Sonos-streaming predecessor, or even its near-$1000 / £1000 cheaper little sibling in the Bluetooth-friendly Hi-Res Onyx. The similarities between this and its budget counterparts are many, and there are even some features conspicuously missing.
In all, the Victrola Stream Sapphire is an incomparable, even untouchable device, but merely for having no direct competitors whatsoever. It'll appeal to those who can afford to spend four figures on tech convenience, and few else – which is a good thing, as myriad better deals can be had for a fraction of the price.
The Victrola Stream Sapphire became my primary living room turntable for three weeks. The RCA outputs fed my dependable Cambridge Audio Azur 540R amplifier and Celestion F1 bookshelf speakers. For wireless connectivity, I must give thanks to dear friend Joe Lynch for the lending of his Sonos One-centered sound system (and our shared perspiration in connecting to it). I used personal favourite records with which I am intimately familiar, and with which I was able to get a feel for the Stream Sapphire's character both wired and wirelessly.
First reviewed: October 2024
